Search results for " Digital Representation"
showing 5 items of 5 documents
Visual Culture and Cultural Heritage: ViC-CH a Synthesis Between Digital Representation and Heritage Experience
2019
The dissemination possibilities offered by digital technologies provide multiple ways of reading and fruition of the cultural heritage. In order to define a visualization and communication strategy through images, the paper shows some of the results of the ViC-CH Visual Culture and Cultural Heritage workshop, which involved the University of Trento and the Free University of Bozen-Bolzano. The graphic elaborations focused on the Library of the Priest Seminar in Brixen; photomodelling, short films with drone shots and virtual visits have been some of the ways of manipulating the image for the animation and realistic visualization of a cultural heritage not easily accessible to date (The pape…
L’apparato effimero allestito nella cattedrale di Palermo per le cerimonie funebri di Carlo III di Borbone (1789): storia e rappresentazione digitale
2022
The paper focus on the ephemeral apparatus realized by the architect Salvatore Attinelli on the occasion of the funeral of Charles III of Bourbon, to be set up inside the cathedral of Palermo, in those years affected by a total internal modernization based on the project commissioned in 1767 to Ferdinando Fuga. This apparatus, in an article published by the academic Giuseppina Leone in 2001, was considered an alternative project to the proposal of Ferdinando Fuga, considered expensive and with a language not responding to the rules of good and modern architecture. The purpose of this paper is to reinforce the hypothesis of an apparatus having design purposes, and to verify its feasibility t…
La nuova idea di cupola : teatri sacri e profani nell’Europa d’età barocca tra storia e rappresentazione
2023
A remarkable and diverse series of ceiling structures emerged between the seventeenth and eighteenth centuries in several European cities, aiming to offer a theatrical approach to architectural space. This development unfolded amidst the widespread use of frescoed ceilings or hemispherical domes supported by drums and pendentives inspired by Roman models. Designing and building systems consisting of multiple domes, open with oculi, superimposed or surmounted by lanterns, adorned with frescoes or galleries, and featuring light and music chambers required expertise in optics, perspective, acoustics, and, in some cases, even stereotomy. These skills were necessary to transform spaces in both r…
Mostrare l’invisibile: il soffitto trecentesco nascosto del convento di Santa Caterina a Palermo
2022
Digital surveying and representation technologies have been widely used for the visualization of works of art and architecture that no longer exist or have been moved from their original location. These researches share a common feature, that can be resumed by the motto “Display the invisible”, already used in research experiences [Colosi et al. 2015; Gambin et al. 2021]. The purpose of this research is the visualization of a 14th century wooden ceiling, painted by anonymous artists, that covered the hall used for the assembly of the Chapter in the convent of Santa Caterina, at the heart of the historic center of Palermo. The hall was reshaped at the end of the 18th century to serve as a sa…
Dynamic Perception of Plastic Movements: Biomechanics and Digital Artifacts
2017
The article offers some reflections on the body-space relationship through images, graphic translations and visual studies that converge into a contemporary digital illuminated avant-garde of the fourth virtual dimension. Starting from the study of the Soviet coreutics of the 1920s and the biomechanics of multimedia performances, it moves on the cinesthetic suggestions and to the dance theorization integrated with the musical score. Finally, some contemporary forms of digital image production are taken into account by addressing a number of issues regarding the exploration of the object-image and its experiential re-elaboration through the production of new graphic knowledge.